This Bangladeshi song, originally sung by Nilufa Yasmin (1948-2003) for a film in 1975, was performed in Harrow, London 2018 whilst accompanied on tabla by Keval Joshi.
The song describes the distress of a woman who is involuntarily leaving her village. She describes a fire which continues to burn with no one here to help. Metaphorically, she is referring to the burning sensation of emotional pain which she is expressing in a term called ‘somatisation’. Interestingly, in British South Asian women, there tends to be high rate of somatisation, namely a physical description of pain located in the body. South Asian women often describe a burning in their chest or in their liver which psychologists believe to be a culturally normalised way of experiencing and expressing anxiety and stress.
The song goes on to describing how despite building a home by enduring a lifetime of sorrows, this home is now burnt to ashes. The final part of the song describes a possible attachment figure who she has lost or leaving behind. She describes this individual as one who bears a mountain of pain but remains smiling, she resembles him to a flower which bears the pain of its thorns but continues to radiate a fragrance. She asks where she can now search to find such a person.
A simple rural Bangladeshi song from an era long gone but by no means forgotten.